DD: 10mm titanium alloy diaphragm
Impedance: 18Ω
Sensitivity: 112.3dB/mW
Frequency response: 20Hz – 30kHz
Shell: Resin + titanium alloy faceplate
Connector: 0.78mm 2Pin
Cable: 7N single-crystal copper
Limited for 3888
Total Score
Introduction
Greetings to all Hifitopia readers from a rainy October day. Today we will be reviewing the NX8TI, which I believe is one of Nicehck’s best products.
NiceHCK NX8 Ti is a tribrid model that combines a total of 8 drivers with a 4-way crossover network, including a 10 mm titanium coating per channel, diaphragm, dual magnet, 1 dynamic driver, 6 balanced armatures and 1 piezoelectric ceramic driver for the highest frequencies. Throughout the review, we will consider how consistently this crowded list of drivers and components on paper works in real listening. At the same time, we will try to understand what the company is doing internally with a synergistic match in the Nicehck ecosystem.
The product in my hand has been sent for an independent review by Nicehck. We would like to thank them for accepting our principles of honesty.
Design & Build
I’ve always liked painstaking work. When the NX8TI reached my hand, I had a smile on my face because the box was like an iem box for thousands of dollars. Let me sort out the full contents of the box for you before going into the design details:
- NX8Ti Limited Edition IEMs
- 7N single-crystal copper cable with 0.78mm 2-pin connectors and a 4.4mm balanced plug
- Two interchangeable nozzles: gold-plated copper and titanium alloy
- Several types of silicone ear tips
- Spare nozzle filters
- 2-pin protective sleeves (very rare!)
- Cleaning brush
- Hard round carrying case
- Papers
Nicehck NX8Ti’s Shells & Cable
Black medical resin and titanium faceplate. The NX8TI has one of the most beautiful shell structure combinations possible. It looks quite stylish and noble. The craftsmanship of the shells is at a great level. The sizes are in a range that I would call small-medium. Tonal versatility is aimed by choosing an interchangeable nozzle. We will examine how effective this is in the sound section.
A 7N single crystal copper cable with a 0.78mm 2-pin connection comes as a stock cable. It does not produce friction sound with the clothes, it feels thick-built and solid. The PVC structure may seem rough or too industrial-looking to some. It should not be forgotten that 7N means a single crystal copper cable, it means a pretty good cable. I think this is extraordinary for this price band. In addition, the cable comes with a fixed 3.5 mm or 4.4 mm tip; the absence of an interchangeable modular plug system from the box limits practicality. On the other hand, since the overwhelming majority of users always prefer 4.4, I wouldn’t say this is much of a drawback.
The cable makes a right-left distinction with a red tiny silicone ring located on the right side. The 2 pin connector protective tiny hard silicones belonging to the cable are an indicator of the degree of care given.
Tips & Case & Others
The box contains a rich variety of ear tips; a total of 24 pairs of silicone tips in four different types, cleaning brushes, replacement nozzle grids, two pairs of replaceable nozzles (silver titanium alloy and gold-plated copper) and a round carrying bag with a zipper are offered. However, in contrast to the huge outer box size, the inner volume of the carrying case is quite narrow; it becomes cramped to fit the thick stock cable and headphones into the bag. The quality of the carry-on bag is quite high. The packaging of each set of ends with separate plastic boxes and the quality of these ends is quite satisfactory.
Synergy
Nicehck NX8Ti & Nicehck Octave
This part of the review, in particular, was the part I enjoyed the most. Nicehck has done a very good job with both of these products; this duo, which you can get for under $500, does such a complete and beautiful job that it is impossible not to appreciate. This duo has a technical achievement with a warm and balanced tone and really good distribution, which I get a pretty enjoyable result in almost every genre I open. I listened to a variety of genres, one by one; the result I got for this price was pure bliss. Nicheck Octave drives the NX8TI without any difficulty, and it’s incredible to get this resolution and detail from a dongle at this price. Moreover, the balanced tonality that emerges with the standard (titanium) nozzles is extremely enjoyable and has the right amount of warmth and fun factor. The sound I got with the gold-plated copper nozzles is almost the same, but the vocals were a more intimate version. There’s not much to say here, it’s a 10/10 match!
Nicehck NX8Ti & Oriveti Twin Revive
The Oriveti Twin Revive produces a noticeably fuller and more mature sound compared to the Octave pairing with the Nicehck NX8Ti. To explain it like this: the sound is both warmer and more midcentric at the same time. The resulting tone is one that feels quite organic and is not tiring. When we look at it from a tonal perspective, the Octave match was on the relatively more analytical side. Of course, this doesn’t change the fact that Twin Revive offers a more holographic scene and better texture. In this match, while titanium nozzles offer a more balanced character, I achieved a timbre close to the usual warm tone with gold-colored nozzles, and I really liked this in some selective pieces. In the listens I made with the gold-plated copper tip, I got an organic, sincere and warm sound, but on the one hand with transparent middle. In Particular
I really enjoyed the track “THURISAZ – Years of silence” very seriously. As for the titanium nozzle, I preferred it in this pairing for relatively more technical tracks like “Aspera Ad Astra” by Haggard. At the end of the day, my score for this exquisite match is a solid 9.5/10!
Sound
A balanced, smooth and rich sound. Here are my first thoughts for the Nicehck NX8Ti. The NX8Ti produces a sound that feels complete across the spectrum. Fast, distant and full sub-bass response; an immaculate mid-range and a highly analytical but natural treble. It has a slightly warmed-up, balanced and instrumental sound character that falls into the U-shape class. I often use the word balanced because I want you to understand: the NX8Ti is not a “bass and treble”. It is versatile and has a character that nothing crushes.
Filters
Of course, these nozzle filters do not make dramatic differences. But they have minor effects parallel to what Nicehck notes: With the gold-plated copper nozzle, the vocals are slightly more in front and the middle range sounds slightly fuller. It would not be wrong if we said that the titanium nozzle stays a little more on the analytical side. I preferred the titanium nozzle throughout the review, but I also liked the warm vocal touch brought by the gold-colored nozzle in places.
Bass
The lower frequencies have a dense, voluminous character and move large amounts of air. The emphasis is predominantly concentrated in the sub-bass range; there is a deep, powerful low-end vibration and a sense of mass. The mid-bass range delivers a warm and full-bodied sound, but it is not at the highest level of tightness. Rather than a razor-sharp, fast-cutting dry pulse, there is a slightly softer-edged bass structure that densely fills the stage and carries warmth to the lower mid-frequencies. Although this intensity provides a fun base for genres such as electronic and hip-hop, it can remain somewhat loose for those looking for tight and fast bass control.
Mid
The mid-frequencies are positioned half a step behind on the stage, in a distant yet transparent position. Alt midler maintains enough body in the male vocals and acoustic instruments with the heat filtering through the bass, but the vocal texture moves along a slightly leaner line rather than being dense and creamy. There is a controlled elevation in the upper mid-region. Although this region maintains its balance on most recordings, the notes taper slightly towards the upper mids; there is a serious realism in the female vocals and piano keys in general at high volume levels. I think the feeling transfer is very successful, especially in stringed instruments.
Treble
The upper frequencies are fast, fast and bright. The lower treble zone gives string and percussion instruments a clear bite. The treble focus point adds plenty of sparkle and clarity to the sound. Although this slight elevation creates an impressive perception of detail and resolution on first listening, the high-pitched notes produced by the PZT driver are slim rather than bodied. However, this refinement is not to the extent that it detracts from realism; the amount of detail is average, and the reproduction of microdetails is successful. The timbre consistency of the upper frequencies is above average: Producing a natural and effective treble without hissing, without coming out requires serious engineering with PZT drives. I would like to congratulate NICEHCK on this.
Technique
In technical terms, the NiceHCK NX8Ti offers strong macro dynamism and good micro detail reproduction for its class. The subtle nuances in the background and the ringing dampening effects can be discerned without being overwhelmed by the dense bass mass. The separation of the bass from the midrange and the clarity here are quite successful.
The horizontal width in the stage structure is spacious and open; it provides a large enough area to prevent the intense lower frequencies from drowning out the sound. However, the front-rear stage depth and vertical height do not exceed class standards, but remain within the average limits. Instrument separation and positioning work quite cleanly; even in crowded and fast passages, the direction and layers of the instruments on the stage can be followed without mixing. The staging is slightly adjusted to give a sense of width. I think this is a positive touch.
Last Words
The NiceHCK NX8Ti is an IEM that deserves a tip of the hat when you consider everything it has to offer. It delivers a premium presentation, versatility, and excellent sound. Whether it’s the meticulously curated packaging or the cable, it boasts build quality that exceeds its price point. Beyond that, the sound it produces is not only technically satisfying but also features a tonal balance that’s consistent and well-suited to a wide range of genres. As both a reviewer and an audiophile, I’m genuinely curious to see what NiceHCK can deliver in higher-end price brackets. See you in the next review, friends.
